As part of the Studiolab open call, â€œSynthetically Yoursâ€, the ArtScience Interfaculty and Synergetica Lab present a series of multi-sensory performances and installations in the context of synthetic biology. Transpiring inside SphÃ¦rÃ¦, an inflatable multi-dome pavilion created by Cocky Eek, these spherically projected artworks evoke the transformation of prebiotic conditions into the complex behavior and dimensionality of synthesized living cells.
SphÃ¦rÃ¦ will be in front of the Ars Electronica Center on the bank of Danube River, offering a full program of performances, talks, and installations during all 5 days of the festival, September 5th - 9th.
September 5th, Thursday
17:00 - 19:00 SphÃ¦rÃ¦ introduction by Arthur I. Miller, Synergetica Lab, ArtScience Interfaculty (The Hague), Royal College of Art (London)
19:00 - 19:30 Joost Rekveld "#43.5"
September 6th, Friday
12:00 - 17:00 "Hyper-Rainforest" installation by Francisco LÃ³pez
20:30 - 23:00 SphÃ¦rÃ¦ reopens for performances
September 7th, Saturday
21:00 - 21:30 Mariska de Groot and Dieter Vandoren "Shadow Puppet?"
21:30 - 22:00 Paul Prudence "Hydro-Acoustic Study"
22:00 - 22:30 Eduard Haiman, Michael Holub, Evgeniy Vaschenko, Vadim Smakhtin "Biosphere"
22:30 - 23:00 Nenad Popov, Erfan Abdi "Polar"
12:00 - 15:00 "Hyper-Rainforest" installation by Francisco LÃ³pez
17:30 - 19:30 SphÃ¦rÃ¦ reopens for performances
PLEASE, WEAR WHITE CLOTHES FOR THESE PERFORMANCES!
September 8th, Sunday
18:00 - 18:30 Bas van Koolwijk "Runaway AV"
18:30 - 19:00 Evelina Domnitch, Dmitry Gelfand "10000 Peacock Feathers in Foaming Acid"
19:00 - 19:30 Matthijs Munnik "Citadels"
12:00 - 14:00 "Hyper-Rainforest" installation by Francisco LÃ³pez
17:00 - 19:00 SphÃ¦rÃ¦ reopens for performances
19:00 - 23:00 "Hyper-Rainforest" installation by Francisco LÃ³pez
17:00 - 17:30 Joris Stribos & Yamila Rios Manzanares "Covex"
17:30 - 18:00 Eric Parren "Gut Feeling"
18:00 - 18:30 Martijn van Boven "On Growth and Data"
September 9th, Monday
12:00 - 17:00 "Hyper-Rainforest" installation by Francisco LÃ³pez
Located in Amsterdam, Synergetica is an art-science laboratory, investigating photonics, fluid dynamics, acoustics, quantum chemistry and psychophysics. In addition to providing a platform for artists working in these domains, Synergetica serves as a curatorial and educational entity, disseminating interdisciplinary art works and art-science research.
The ArtScience Interfaculty is an interdisciplinary bachelor and master program that fosters curiosity driven research as an approach for the making of art. The program considers art and science as a continuum and promotes the development of new art forms and artistic languages. The ArtScience Interfaculty is embedded in both the Royal Conservatoire and The Royal Academy for Fine Arts in The Hague, The Netherlands.
Cocky Eekâ€™s (NL) work has been revolving around lightweight spatial compositions and her favorite media are wind and air. This resulted in floating or flying experiments or large, voluminous pneumatic forms constructed to capture air. She creates environments that translate this material into a tangible experience of form and volume. Since 2005 she co-directs FoAM (Amsterdam) whose main focus in the last years has been the topic of human-plant inter-relationships.
Arthur I. Miller (UK) is Emeritus Professor of History and Philosophy of Science at University College London. He received a PhD in physics at the Massachusetts Institute of Technology. From 1991 to 2005 he was Professor of History and Philosophy of Science at University College London, where he founded the Department of Science & Technology Studies. He is the author of several books, including Insights of Genius: Imagery and Creativity in Science and Art, Einstein, Picasso: Space, Time and the Beauty that Causes Havoc, Empire of the Stars: Friendship, Obsession and Betrayal in the Quest for Black Holes, and recently published, Deciphering the Cosmic Number: The Strange Friendship of Wolfgang Pauli and Carl Jung, which explores how through Jungâ€™s psychoanalysis, Pauli came to understand his creative powers while at the same time enabling him to cope with his complex life. http://www.arthurimiller.com
43.5 | Joost Rekveld (NL)
Inspired by simulations of how nerve impulses travel through tissues like heart muscle and cause oscillations, the project has become focused on the more general emergence of patterns in time and space out of homogenous starting conditions. Going back to the pioneering research Alan Turing undertook towards the end of his life, in which he was the first to try to understand the differentiation of cells in an embryo through computer simulations. Such simulations have links to chemical oscillators based on reaction-diffusion and similar models have been used to explain pattern formation on various levels of scale in biology.
Hyper-Rainforest [space-shifted portable version] | Francisco LÃ³pez (NL/SP)
A monumental sound piece, both in duration and in spatial terms, created from original environmental recordings done between 1990 and 2010 at multiple locations of tropical, sub-tropical and cold rainforests in: Argentina, Australia, Brazil, China, Costa Rica, Cuba, Gambia, Mexico, Myanmar (Burma), New Zealand, Paraguay, Peru, Japan, Senegal, South Africa, USA, and Venezuela. Because of the vividness and presence of all the sounds and their spatiality, â€œHyper-Rainforestâ€ has the possibility of being perceived as a simulation. Beyond that immediate -and natural- reaction to this experience lies an entirely different possible territory: the realm of the phenomenologically ineffable. Sounds are not only indexical or referential (the standard view). They have their own life, their own â€˜self-sufficiencyâ€™. They are the potential building blocks (substance, matter, magma) of a self-sustained sonic virtuality not grounded in representation, but rather on the emergence of a more free world.
Shadow Puppet? | Dieter Vandoren and Mariska de Groot (NL)
A combination of embodied performance and analog machinery gives rise to an engulfing play of light, shadow and raw optical sound.
Hydro-Acoustic Study | Paul Prudence (UK)
A cinematic exploration of sonically activated hydrological events, specifically evolving waveforms, proto-cellular bubbles, and meniscusâ€™s that grow and exhibit behavior in direct response to sound.
Biosphere | Eduard Haiman, Michael Holub, Vadim Smakhtin, (RU) and Eugene Vaschenko(UA)
Investigating the borders and similarities between computer-generated creations and living beings, this interactive installation allows participants to interact with and control artificial life forms with their smartphones.
Polar | Nenad Popov and Erfan Abdi (NL)
Slime Mold, Physarum Polycephalum, grows over the spherical screen, it's shape governed by Belousov-Zhabotinsky-like reactions within its giant cell.
Runaway AV | Bas van Koolwijk (NL)
Once set in motion, the performerâ€™s software gradually gains independence, while the performer, on the other hand, gradually loses control over the processes which he initially directed. The result is a runaway process whereby the system continues to develop a growing complexity.
10000 Peacock Feathers in Foaming Acid | Evelina Domnitch, Dmitry Gelfand (NL)
The original proto-cell, a direct chemical ancestor of lipid membranes, soap film comprised the foam of the primordial prebiotic soup. The sensitive skin of a soap bubble is capable of swallowing laser light as if it were confined by a waveguide antenna. In this performance, bubble-trapped laser beams reveal the biomorphic molecular dynamics inside of soap film membranes.
Citadels | Matthijs Munnik (NL)
An observatory of vivid hallucinations is produced within the eye itself, arising due to interference in the signal from the eye to the primary visual cortex. These complex interference patterns are spherically transformed in accordance with the retinotopic map.
Covex | Joris Strijbos, Yamila Rios (NL)
An extended cello performance interplays with a meticulous constellation of laser beams shot trough transparent objects.
Gut Feeling | Eric Parren (USA)
E. coli bacteria, the humble organisms with whom we share a symbiotic relationship, were genetically modified with iGem bio-bricks to express three different kinds of fluorescent proteins; red, green, and cyan. The bacteria were captured trough time-lapse laser-scanning confocal microscopy while undergoing growth and movement experiments. Processes that normally occur on the scale of 500 nanometers are suddenly visible a hundred thousand times their original size. This project was made possible with the support of the California NanoSystems Institute and the University of California Institute for Research in the Arts.
On Growth and Data | Martijn van Boven (NL)
The simple system of a closed feedback loop is developed, transformed, mutated, translated and after each iteration, it is mirrored and compared with real life strings of biological data available through online databases such as Genbank. In its most ideal situation during one performance the initial system transforms into a computer generated form equivalent to the fingerprint of animals or plants.